Yamaha CFIII Voicing

[Richard Brekne]

I find that a quick ironing can give quite a bit of extra brightness and body
for a short time. Often ideal for situations where you have differening artists
with differing tastes. And ironing is perhaps the kindest of treatements a
hammer can recieve.

Cheers
RicB

Phil Bondi wrote:

> This is a timely thread for me.
>
> I'm working with a rented CFlll right now for the Sanibel Music Festival:
>
> http://www.sanibelmusicfestival.org/
>
> Every performer or accompanyist(sp) that I have talked to wants certain
> notes voiced brighter or more brilliant in a room that I would say is on the
> "live" side..at least when it's empty.
>
> Olga Kern wanted the entire top 2.5 octaves voiced "more brilliant"..and
> this is from a CFlll that I'm sure isn't much different than the ones you
> work with everyday.
>
> ..a little juice and some deep needling low in the shoulders made her
> 'satisfied', but not really happy...like i said, it's a rented CFlll, so I
> felt I had to tread lightly with the hammers.
>
> This CFlll is not dull nor bright..I would say it's in need, if any, of some
> play..it's rather new, and I think it just needs to be played.
>
> Different strokes, I guess..
>
> your thoughts?
>
> -Phil Bondi (Fl.)
> phil@philbondi.com
>
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--
Richard Brekne
RPT, N.P.T.F.
UiB, Bergen, Norway
mailto:rbrekne@broadpark.no
http://home.broadpark.no/~rbrekne/ricmain.html