Yamaha CFIII Voicing

[Isaac OLEG]

Hello,

The same I've find for the one I've seen with new hammers, need to be
played about one year to get its definitive tone for what I know.

Laquering even lightly on those hammers is not the best to do, they
attain their brillance naturally, if the top is laquered, you are in
trouble when you will want to voice them later.

A touch up with a hot iron or light filing with a thin grit is more
appropriate IMHO.

Best Regards


Isaac OLEG

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> -----Message d'origine-----
> De : caut-bounces@ptg.org [mailto:caut-bounces@ptg.org]De la part de
> Phil Bondi
> Envoyé : samedi 22 mars 2003 12:21
> À : College and University Technicians
> Objet : Re: Yamaha CFIII Voicing
>
>
> This is a timely thread for me.
>
> I'm working with a rented CFlll right now for the Sanibel
> Music Festival:
>
> http://www.sanibelmusicfestival.org/
>
> Every performer or accompanyist(sp) that I have talked to
> wants certain
> notes voiced brighter or more brilliant in a room that I
> would say is on the
> "live" side..at least when it's empty.
>
> Olga Kern wanted the entire top 2.5 octaves voiced "more
> brilliant"..and
> this is from a CFlll that I'm sure isn't much different
> than the ones you
> work with everyday.
>
> ..a little juice and some deep needling low in the
> shoulders made her
> 'satisfied', but not really happy...like i said, it's a
> rented CFlll, so I
> felt I had to tread lightly with the hammers.
>
> This CFlll is not dull nor bright..I would say it's in
> need, if any, of some
> play..it's rather new, and I think it just needs to be played.
>
> Different strokes, I guess..
>
> your thoughts?
>
> -Phil Bondi (Fl.)
> phil@philbondi.com
>
>
>
>
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