I have to echo Dales post here... my first thoughts after reading Daves post were about the plate itself. There was quite a discussion about this, or very similar themes about 3 years back when Newton was still with us. Ron N probably remembers a good deal about that discussion as he was one of the principle contributers, so if he feels like chirping in I am sure that would be informative and interesting. Otherwise, theres the archives to search. Cheers RicB Erwinspiano@aol.com wrote: > Dave > I think 2 things occur here. Yes as you say it is the soundboard If > it's got enough crown could push tenor strings sharp but I may be a > tension differential in the plate & what you wrote about the dramatic > cents change makes me nervous. > Ie done this many time when re-stringing a bass section but not as > you describe. A bass section has far more inherent tension in it but > less effect from the board. I wonder about the plate distorting. I'm > thinking out loud but as the treble strings come off the board does > come up but also the tension being released might allow the entire > tenor go sharp as plate decompresses & pulls the other strings sharp > so to speak. > I dunno > Dale
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