Gotta agree with Wim on this one. I did a whole bunch of preps on Boston grands and verticals in my stint in Seattles Sherman Clay downtown store some years back. They seemed on the whole fairly nice and pretty stable instruments. Actually quite refreshing tone for coming out of the far east. Nearly eastern European in character. If they had any real problem area, it was the bass / tenor transition in the smaller grands. ALTMHO Cheers RicB > Wimblees@aol.com wrote: > > > Anyone else struggle with this Boston model? > > John Minor > University of Illinois > > Are you sure about the model number? The smallest Boston is a 118, > which is a 45" studio. > > I have several of those, but they seem to be holding up quite well, > considering the school environment. Obviously they were flat in the > mid tenor when I tuned them last week, but they tuned right up. I tune > a 118 in a classroom once a month, and have no problem with it. > > Wim > Willem Blees, RPT > Piano tuner/technician > School of Music > University of Alabama
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