A couple things in addition to what others have written: On Dec 2, 2005, at 10:36 AM, Andrew Anderson wrote: > Do harpsichords have regular tuning pins? Note that if the harpsichord has oblong headed pins, you will need to use a T hammer. With "zither style" pins (square head), a gooseneck is possible as well as a T. Note also that oblong pins vary in size, more or less infinitely. There is a good deal of forgiveness in sizing of hammer versus pin, but there are definitely pins that won't work with a given hammer, and vice versa. In most cases, you will find that the harpsichord has a hammer associated with it that you can use, but sometimes it can be a problem. > > Do they behave quite differently from pianos? One way they behave differently is response to temperature. They are VERY sensitive to any change, and the brass strings behave quite a bit differently (faster, bigger reaction) from the steel. Stage lights are a big problem. Drafts from an open door, or from a heating duct are a bigger problem. Cold = sharp, hot = flat. I have had a harpsichord I was tuning go about 5 cents sharp while I was tuning due to 15 minutes of door propped open for load in (draft over the strings). That kind of instability will go away more slowly than it came on. Also, pitch change is far more stable. unless you are doing a really major change, don't use any overpull. Never as much as on a piano (about 5 - 10 cents will do for a half step pitch change. Saves a wee bit of time and effort over just tuning twice, with the second pass being a 5 - 10 cents pitch change). > > I guess the mechanism is different so the "test-blow" is out. > Would rubbing/stretching the strings with a rag be equivalent? I find "pin manipulation" is the best way to get solid tuning. A mild flagpoling of the pin, alternating between toward and away from the speaking length. If equal motions in both directions produce equal changes in pitch, bingo, you're there. If not, make a tiny twist of pin in block and try again. I wouldn't rub strings. You'll change the temperature, which will just introduce a different kind of instability. > > Any and all tips welcome. ;-) > > Andrew Anderson > > _______________________________________________ > caut list info: https://www.moypiano.com/resources/#archives > Regards, Fred Sturm University of New Mexico fssturm@unm.edu
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