This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Eric, the real relationship in this is of course from the string to the = center heights. If 7 1/2" is the string height, correspondingly the = hammer center height should be 5 3/4" which is a difference of 1 3/4" ( = a familiar number), so consequently shouldn't the hammer center height = be 5 1/2" if the string height is 7 1/4" ? Is this what Mike Mohr means = by "the action height is unique..." and "Maintaining the relationship = between... ?" Just a slight caution regarding lowering the stack height = only in the back, it can result in the dreaded "repetition lock-up." But = with your shanks so close to the cushions it's probably not a problem. I = think Pianotek sells different size rest felts so you can maintain a = good relationship to the shank. As for the straightedge thing it doesn't = mean that you should just stand there forever checking it continuously, = however great a relief from our regular duites this may be, but rather = just when setting the two center mounting blocks and maintaining a = slight curve (or not) to match the string heights. Although it certainly = would be a good way to measure warping if you knew where it had = originally been set. Accurate string height measurements are really key, = especially with Steinways, for this kind of work. Chris ----- Original Message -----=20 From: Wolfley, Eric (wolfleel)=20 To: 'College and University Technicians'=20 Sent: Thursday, July 21, 2005 11:29 AM Subject: RE: [CAUT] Steinway stack height Thanks Chris and all that replied. I'll thumbtack the specs to the = wall so I won't misplace them. I did contact Kent Webb and the current = spread specification is 4 13/32" which translates to 4.40625" The piano in question is indeed of 1968 vintage (Mr. Purdy) and was = originally Teflon with the big fiber knuckles. I isolated the problem to = two sources: The rear of the stack was 1/16" too high (3 5/16").easy = enough, I carefully planed the shoes down. The shank bumpers on the new = wippens I want to use (Tokiwa miracle wipps) are 1/8" higher than the = original. We save a lot of old parts here.it was good to have some = samples to check. This piano had a new soundboard installed a few years = ago (before I started here) and obviously the string heights are lower = now than its original incarnation.=20 In Chris's post below I can't exactly visualize what they are talking = about when they say "continually check for straightness with the = straightedge on top of the hammershank flanges". My only guess is that = if the mounting blocks aren't all on the same plane the hammer rail = could warp down or up where a stack bracket is screwed down but it seems = like it would have to be really bad for this to happen. Eric Wolfley, RPT Supervising Piano Technician College-Conservatory of Music University of Cincinnati -----Original Message----- From: Chris Solliday [mailto:solliday@ptd.net]=20 Sent: Monday, July 18, 2005 5:07 PM To: College and University Technicians Subject: Re: [CAUT] Steinway stack height "B" at note 62 in NYC hammer flange 5 3/4" rep flange 3 1/4" based on string height of 7 1/2" you didn't say = if pre 84 or post or the new incarnation but the spread pre 84 was = 4.381" and post 84 was 4.395" This may have changed on the latest and = greatest and for that I suggest you call Kent Webb or email him. I = think it is important to note that according to Mike Mohr's = Forefinishing Notes, which I consider a reliable source, "Set Action = Frame Height" says "IMPORTANT NOTE: the action stack height, as = determined by the thickness of the mounting blocks. This action height = is unique for each instrument, and is the result of the individual = string height for a piano. String height variables are the result of the = plate fitting and belly operations... String heights change from bass to = treble usually in an arched or crowned manner. These numbers for note # = 62 represent an average. Maintaining the relationship between the stack = height and the string height ensures: A) the proper BLOW distance at the = same time the hammershank is properly off the cushion. and B) the proper = HAMMER ROTATION is needed to minimize overstriking or shallow striking = conditon. NOTE; if string height is lower or higher than above, keep the = relationship the same..." (and later after shimming or planing the bass = and treble mounting blocks) "continually check for straightness with the = straightedge on top of the hammershank flanges." I know you only asked = for numbers, but what the heck, I felt like sharing. BTW I'm sure you = remember that we discovered when shimming or planning it is best to = rotate the stack on the hammer flange pin axis which means adjusting the = front foot differently than the back foot. Of course there are even = greater subtleties to this process but then you did just ask for the = numbers. Stay well, Chris Solliday =20 ----- Original Message -----=20 From: Wolfley, Eric (wolfleel)=20 To: 'caut@ptg.org'=20 Sent: Tuesday, July 19, 2005 9:53 AM Subject: [CAUT] Steinway stack height Hi All, I'm sure somebody out there knows the specs for the distance from = the keybed to hammerflange center and keybed to wippen center for a = Steinway B. I have these written down somewhere but can't find them and = I don't trust my memory. I'm correcting a problematic action and believe = the stack to be too high since to get the proper blow distance the shank = cushions have been reduced to nubs. The bore distance of the hammers is = correct and the string heights are in the normal range. Thanks! Eric Wolfley, RPT Supervising Piano Technician College-Conservatory of Music University of Cincinnati ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/8c/5d/34/49/attachment.htm ---------------------- multipart/alternative attachment--
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