Fred, One thing I tried when the screw had bit into the wire too much and it wouldn't stay where I wanted was to pull the damper and run a file across the bad spot. It suddenly becomes obvious; I mean the bad spot highlights itself. Sometimes you might want to dress the end of the screw. It can have a cam like action or edge that cuts into the wire and twists the wire as the screw is tightened. Keith Roberts On 3/24/07, Fred Sturm <fssturm at unm.edu> wrote: > > Hi Ric, > Yes, I've fooled with a bean bag. Actually made myself one and put a > bit > of sand in it instead of beans, though you want to go thin and light with > sand (it can get so heavy it will compress the felt too much, and force > the > trichords down farther than they will normally seat). But sand set the bag > more inertly and evenly on the damper heads, to my way of thinking. > Bottom line, though, I decided I didn't like it. It _seems_ like it > would give more even control, but it doesn't, at least at a fine level. > Better to just deal with the actual weight of the dampers, and sensitive > fingertips. If you have all the wires loose, and all the levers resting on > the tray or jig, just tightening them with a light touch where they lie > gives me as good a starting point as with the bag on top, better most > often. > Kawai techs have a technique similar to Yamahas (though I think the > capstans are on the tray - I don't do enough to remember between all the > Asian variants), but they do use them after that initial straightedge set > up > for minor tweaking. We're talking up to a quarter turn, probably less. > Which > is far more efficient than loosening the screw, moving the damper wire > that > miniscule little bit, tightening, the having to twist/align, then find you > > moved a wee bit too much or not enough, repeat. If the wires are new and > the > screws haven't been over-tightened by somebody, it goes pretty well, but > if > there are dents and bends from the screw, well, many's the time I wish > there > was a capstan to turn for that last bit. > Regards, > Fred Sturm > University of New Mexico > > > On 3/24/07 7:10 PM, "RicB" <ricb at pianostemmer.no> wrote: > > > Hi Fred.. > > > > Yes. Getting the levers at even height is the immediate goal here (what > > you refer to below). That and making sure this height yields proper key > > lift timing. We used their aluminum straight edge tool for key leveling > > > on the underside of the levers to get a straight line, adjusting > > capstans as necessary. But whatever gets you there... BTW the Spurlock > > bean bag idea looks kinda interesting... has anyone tried one of these ? > > > > > Cheers > > RicB > > > > > > But I think I now see that what you do is set samples (only > tightening > > those wires, the others all being loose), then raise the lift tray > > to meet > > the samples (and block it in place), then adjust all the other > capstans, > > which are resting on the lift tray, so that the bottoms of the > > underlevers > > are in line with the straightedge (the capstans are raising - or > > lowering - > > their respective levers to be in line, with the lift tray as the > > "gauge" or > > base, and the samples as the reference). Now you tighten all the other > > wires, and proceed with standard twisting, tweaking and whatnot. > > > > > > -------------- next part -------------- An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/20070325/6e55bd6f/attachment-0001.html
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