Jim writes:
<< And no, they don't know what they want either. I'll read through this
stuff and see if I can make a more educated guess as to what they might need with
this instrument. Right now I put a "John Marsh 1809" and they seem to like
it. I have no idea what it really is, It just seemed to be less strident in some
keys... I'm certainly a rooky at choosing temperaments. >>
Greetings,
The optimum tuning is dependent on the music that is to be played. A
harpsichord is tuned so often that it shouldn't be a problem moving things
around. The Pietro Aaron 1/4 meantone is the basic foundation of most early
music, (prior to say, 1650), but there are MT's that, while not providing totally
Just intevals in all eight usable keys, are still able to create that consonant
sound of Justness without actually being tuned that restrictively.
If a restrictive tuning is not acceptable, try the various Bach
interpretations and see which one finds favor. The Rollingball site should have the
"Bach" tunings by Charles Francis, Kellnor, Lehman, and perhaps others. These
might just be the right temperament for a harpsichord that sees some variety
time period music.
Regards,
Ed Foote RPT
http://www.uk-piano.org/edfoote/index.html
www.uk-piano.org/edfoote/well_tempered_piano.html
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