Inre the Coleman 10, Jeff writes: << Is this a smoother tuning than Coleman 11? << Yes, Jim's numbers rise with the amount of contrast, his #16 is almost as tempered as a Young. >>The same piano will be used for a jazz performance the next night, and I am considering leaving the Coleman on instead of changing it back to ET. What do you think? >> The # 10 is a subtle departure from the strictness of ET, I would say keep it on there. Few musicians can tell what difference there is, and if your octaves and unisons are impressive, they will love the way the piano responds. >>And should the pianist be "warned" (or maybe better, consulted) before I do that - or should I wait for the reaction (or lack thereof)?<< I am inclined to say no, don't roil the waters. And don't be surprised or disappointed if nothing is said, 'cause that happens, a lot. People are easily threatened, and serving notice of every change around them can make them defensive and longing for the familiar. Give them a clean tuning with one of these temperaments and 99% of them will like the response. I have seen a lot of artists play a ragged ET with clean octaves and unisons, and they thought the piano sounded fine! Pushing the tonality a little towards a historical shape does not make an alien sound, but rather, something that "feels" more right. I think it is a question of faith. The artist, or customer, will know how you feel about your work by your body language, and facial expression, than they will from you by words. If you feel like your tuning was the way to make the piano sound its best, and you know you did your best, you will be relaxed, and they will usually be the same. If we tune an instrument so that it sounds best to us, as opposed to tuning it so that matches a universal pattern, we will perhaps learn how the world responds to us, instead of vice versa. Regards, Ed Foote RPT http://www.uk-piano.org/edfoote/index.html www.uk-piano.org/edfoote/well_tempered_piano.html <BR><BR><BR>**************************************<BR> See what's new at http://www.aol.com</HTML>
This PTG archive page provided courtesy of Moy Piano Service, LLC