On Mon, 12 Nov 2007 12:40:15 -0800 Alan McCoy <amccoy at mail.ewu.edu> wrote: > I haven't been following this thread closely at all, >except to see that it has generated a lot of heat and comment. > >FWIW, I think the best, though certainly not the cheapest >nor the most practical, way to measure or evaluate a CAUT for a >credential is an on-site "inspection" like a NASM visit. What better way to >evaluate someone than to see, feel and hear their body of work? And to see the >context within which they work - the budget, the number and quality of >instruments, the tools and workspace, the details of the contract or employment >they work under. > > Neither testing nor class attendance come close as evaluative tools. > > My 2c worth. > > Alan > I like the concept, but there are at least two major problems: 1) Cost. You would need to send at least two people on site, I would think. Much of the time this means round trip airfare and per diem. I'd guess that $500 would be a very conservative estimate of direct costs, assuming the evaluators were donating their time. Who would pay that much? 2) Only works for a caut currently employed as such, and is limited to the conditions at the institution. a) It makes more sense to have a credential someone entering the field could get. Or somebody with caut experience, but currently un-cautified. b) The conditions can easily be so bad that no evaluation is possible. I know my first 11 years were that way. Average of 5-6 hours per piano per year. All I did or could do was tune (not nearly enough) and "fix what was broke." Then there is the minor problem of coming up with a way of quantifying, of making an "objective" decision. I think this concept is a good one, but more from the point of view of evaluating a program than evaluating the chops of an individual. Regards, Fred Sturm University of New Mexico
This PTG archive page provided courtesy of Moy Piano Service, LLC