So... coming in from the top is recommended by Del. I'm curious as to
why Ron then finds it unfavorable to drill into his laminated or for
that matter any type of bridge. Surely if coming in from the top has no
functional backdraw it allows for the greatest ease and most specific of
placements.
I've found that attaching one single large vice-grips is not the same
thing as attaching three or four very small ones. I havent spent a lot
of time on this, but it would seem likely that finding localities for
several smaller mass additions would be desirable to attaching just
one. Something about distribution of mass just intuitively seems to
make sense.
If visuals are a big deal here.... I shouldnt think it really would be
a big problem to put a thin veneer over the top. Might allow you to fix
deep string grooves caused by excessive string seating as well.
Cheers
RicB
You can do that, but there is a (probably) easier and (certainly)
more effective
method.
Remove a few strings around the affected area. Drill into the top of
the bridge
with a bit sized just a bit larger than a used lead key weight.
(Careful, don't
drill down into the bridge pins.) Epoxy bed the leads, including a
bit of epoxy
over the top. I mix in a small amount of graphite powder to make the
mixture
nice and black but still reasonably viscous. After the epoxy has
cured scrape
the surface flat and touch up with a graphite rub if necessary.
If you've not blacked the tops of the bridges mix in various fresco
powders to
color the epoxy to match the color of the bridge. Yes, it can be
seen but so
what?
Put the strings back on and try it out. You'll notice a definite
increase in
sustain, a decrease in the percussive pop at hammer strike and
(probably) a
decrease in false strings.
This is basically the method I've been describing in my various
classes for some
twenty plus years now. I do keep trying all those new methods I hear
and/or read
about but I keep going back. I find it lots easier and more
effective than
drilling all those holes down through the bellyrail, etc.
You'll find, by the way, that to achieve the same result you'll only
need about
half the mass that would be required if it were attached to the
bottom of the
soundboard. Ease up to the desired amount and don't over do things
by going to
far.
Del
This PTG archive page provided courtesy of Moy Piano Service, LLC