Good post agi'n der Fred.
You see the thing I'm worried most about in all this is that it actually
takes a stable and sizeable market to support the industry to the degree
that there are enough people involved in production that the
knowledge/experience base remains intact. If that falters... then the
quality of instruments will fall and electronics will become even more a
viable alternative for the low end market. That is an evil self feeding
circle if it gets rolling.
The numbers showing some 90 % of world piano production already in the
hands of Chinese says more then anything else to me that the buying
public will opt for the cheapest solution. All that remains necessary
for the total demise of the acoustic market is for enough of that same
buying public to decide that all in all electronics are good enough.
These are on the march as well mind you... the cost of good quality
L-pianos will drop dramatically as analog interfaces become unnecessary.
The quality of artificial simulated acoustic piano sound will continue
to improve to equal if not out do todays best recordings at some
point.... all this just gets too seductive in the end.
In my mind the only question is how long this transition will take.
Taking a shot in the dark... I'd say that a hundred years from now
acoustic music will be a nostalgic memory wisping speedily into the
forgotten.
I mean... put yourself in the position of the fellow living in the year
2108..... her every day reality consists of being plugged directly into
the nett via a real time interface with the rest of the world... the
greatest majority of her efforts are executed in a virtual reality.
Knowledge and virtual skills are fed directly into her memory.... what
need does she have of a physical piano in the first place ? Science
fiction... ? I'm far from sure about that... the basic tools are already
being ponced out. Read back issues of Scientific American... June 2007
I think.... they already are well on the way to figuring out the brains
<<machine code language>> Once thats done... an interface to whatever
internet exists when they do is quickly accomplished... and most of the
other tools for interfacing human behaviour/communication are already
pretty well figured out and are only hampered by existing technology.
Cheers
RicB
I think there is and will continue to be a market, admittedly small,
for truly high quality musical pianos. It will consist of concert
halls, institutions of higher education, and a small number of
individuals (the rare ones who are not only accomplished musicians,
but also have a fair amount of money). The major problem facing
manufacturers, I believe, is that they are competing with an
enormous used/remanufactured inventory out there for re-sale. But I
am convinced that some manufacturers will survive. The parts
manufacturers will survive because of us, the rebuilders purchasing
parts. The manufacturers that survive will be those which are
nimble, and find creative ways of marketing - like even (shudder)
the Baldwin one-off "designer" pianos. But, yes, I become more
and more pessimistic about the future of such firms as the lovely
German ones. Fragile as all get out. The one truly bright spot is
China: an enormous market that is seemingly just hitting its
stride. 40-50 million piano students, with no used inventory to
speak of in the country. Some percentage will become accomplished
and demand quality. We're seeing a heck of a lot of them come to
this country and raise the bar.
Regards,
Fred Sturm
University of New Mexico
fssturm at unm.edu
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