We are in the first stages of planning a Journal "Temperament" issue which revisits temperaments in the context of the scholarship of the last 15 years, with the intention of producing a reference document that would have long-term value. Ed Sutton ----- Original Message ----- From: "Fred Sturm" <fssturm at unm.edu> To: <caut at ptg.org> Sent: Saturday, March 07, 2009 2:53 PM Subject: Re: [CAUT] professor tuning variables > On Mar 7, 2009, at 11:55 AM, reggaepass at aol.com wrote: > >> Hi Fred, >> >> Can I get a discount for an advance, quantity order of your yet-to- >> be-released work on this subject? Seriously, please consider writing >> for publication, either by yourself or in collaboration with someone >> else as up-to-date on the available scholarship concerning temperaments. >> (Or we could go with plan "B" and just compile excerpts from the last >> few months of CAUT posts on related matters: The subject would be >> temperaments, but it would read like the "point/ counterpoint" of a talk >> show, transcribed <G>.) > > > Well, this has been a kind of "side interest" for me over the years, and > not one I had put enough research into to consider myself an expert. But > in thinking about our (caut committee) on-going project to create a "CAUT > credential" and to base it on a series of intensive training sessions (on > the order of 3-day or so "academies" - this is the model we are working > on at the moment, and it may happen fairly soon), I've looked at the > subject again: If we are to include historical tunings, who would teach > it, and what resources would we use? So I've been nosing around, and have > done quite a bit of reading. Recently I bought Claudio di Veroli's > e-book, and I sent him a couple suggestions in the way of improving style > and language (English is his third language, after Spanish and Italian), > and I ended up proof- reading the whole thing ahead of his "Version 2" > (which was just posted). > So I guess I have kind of made myself into an "almost expert," and I have > given a good bit of thought to putting together a study guide. It seems > like a void that needs to be filled. I would leave out most of the math, > which is covered quite well by Thomas Donahue and di Veroli, and just > give a broad historical overview with references, and with a good > grounding in the actual words of sources (what Pietro Aron wrote about > 1/4 meantone, what Jean Denis wrote about mean tone with somewhat > expanded thirds, what Rousseau wrote about French "Ordinaire," what > Werckmeister said about #III). We'll see. > I _do_ have far too many projects going at any given time, including a > solo recital of works by Villa-Lobos in a week. > > Regards, > Fred Sturm > University of New Mexico > fssturm at unm.edu > > >
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