[CAUT] Verituner owners - cross post

Linda Stråhle linda.strahle at mhm.lu.se
Thu Oct 15 12:53:49 MDT 2009


Great post Ron,

I will try it out.

Linda Stråhle


15 okt 2009 kl. 18.23 skrev Ron Koval:



I've been working on a replacement style for the built-in Average  
style. Thanks to all the volunteer "beta testers" that were willing to  
give it a try - I've been getting positive feedback from techs as well  
as clients on this one. I developed this for those technicians that  
have kept the style on "Average" and not experimented with the custom  
styles.  This allows you to tune without having to make a lot of  
choices, yet still harness the power of multiple partial matches to  
calculate a tuning. Just enter in the setpoints, copy it and change  
the A0 for big pianos and you have two styles to use!

I began working on this just before Grand Rapids and was able to set  
an early version on a Yamaha P22 for the final Verituner class.  The  
goal is a really harmonious resonant blend from bottom to top.  Try it  
and let me know if you can tell a difference - positive, negative or  
indifferent...

All beats are set to 0.0 - notice that there aren't setpoints for  
either A3 or A4.

(This is for the VT100 box - pocket pc directions to follow)

A0 6:3 65% / 4:1 35%
C#2 6:3 40% / 4:1 60%
D2 4:2 30% / 6:3 30% / 3:1 40%
D3 4:2 30% / 6:3 30% / 3:1 40%

E6 4:2 40% / 2:1 20% / 3:1 40%
G7 4:1 30% / 8:1 30% / 3:1 40%
G#7 4:1 70% / 8:1 30%
C8 4:1 70% / 8:1 30%

The core of this temperament is from D2 - E6. Above and below - may be  
changed to your personal tuning style preference, or room, or size of  
piano. This style works great with average pianos. The only change I  
make is to change A0 to:

A0 6:3 50% / 12:6 50% for bigger pianos (over 5', or tall uprights)
I have two styles saved to make switching between them easy.

Why?

Just as I felt that there was a positive progression between tuning  
with my Korg, to tuning with a template tuner, to tuning with a more  
modern option to tuning with the Verituner. This represents a step  
forward for me in involving more information being used to calculate a  
more "resonant" tuning for each individual instrument. It is NOT an  
attempt to get smoother thirds, or 10ths or 5ths or 6ths or 4ths...  
but rather a way to find a really nice blend of everything that's  
going on.

Feel free to contact me if you need help loading it in the machine.


(directions for pocket pc)
A set point for A3/A4 is required - setting the percentage to 1% seems  
to make it work like the box. (0% caused a problem..) This uses the  
maximum allowable setpoints, so I had to leave out the G#7 from the box.

A0 6:3 65% / 4:1 35%
C#2 6:3 40% / 4:1 60%
D2 4:2 30% / 6:3 30% / 3:1 40%
D3 4:2 30% / 6:3 30% / 3:1 40%
A3/A4 4:2 1% / 3:1 1%
E6 4:2 40% / 2:1 20% / 3:1 40%
G7 4:1 30% / 8:1 30% / 3:1 40%
C8 4:1 70% / 8:1 30%

Ron Koval
chicagoland

My service videos:
http://www.youtube.com/profile_videos?user=drwoodwind  		 	   		
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Linda Stråhle
linda.strahle at mhm.lu.se





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