[CAUT] Tuning hammer technique and latest tuning hammers (Kevin Fortenberry)

Terry Beckingham t46xd8jb at xplornet.com
Wed Oct 21 17:38:34 MDT 2009


I purchased a Fujan and several extra parts almost two years ago. I use it 
every day. However, I don't really notice any difference in stiffness with 
my old Watanabe that I used for 25 years. The Fujan is nice and I use it 
for every tuning, but I was somewhat disappointed that I didn't see a great 
deal more stiffness, especially since others had raved about it. I really 
like it for the very light weight. My only complaint would be that I would 
like a larger ball on the end. I had made a 2 3/8" ball for my Watanabe and 
I found it nicer than the smaller Fujan ball.

Terry Beckingham

At 06:15 PM 10/21/2009 -0400, you wrote:
>The good news, Kevin, is that wonderful things await you in the realm of 
>improved tuning levers. Â Like brother Porritt, I too have a Fujan 
>(although mine is more recent, carbon fiber). Â Wow, what an improvement 
>over what I was previously using! Â The quantum leap in stiffness means 
>less strain on you and much more nuanced control of the tuning pin. Â As 
>David says below, once you've tried one of these new innovations, you 
>won't look back. Â For grands, I look forward to trying Dan Levitan's new 
>design (much posted about this on the Bechstein B thread that launched 
>this line of discussion), as soon as Marinelli gets it into production.
>
>Alan Eder
>
>
>-----Original Message-----
>From: Porritt, David <dporritt at mail.smu.edu>
>To: caut at ptg.org <caut at ptg.org>
>Sent: Wed, Oct 21, 2009 2:29 pm
>Subject: Re: [CAUT] Tuning hammer technique and latest tuning hammers 
>(Kevin Fortenberry)
>
>
>Kevin:
>
>I bought a Fujan a couple of years ago and have never looked back.  Mine 
>is old
>enough that it's the aluminum tube so it's a little heavier than the new 
>carbon
>ones, but it works very well for me.  The stiffness.  Once you've used a 
>lever
>that stiff, nothing else feels right.
>
>dp
>
>
>David M. Porritt, RPT
><mailto:dporritt at smu.edu>dporritt at smu.edu
>
>
>-----Original Message-----
>From: <mailto:caut-bounces at ptg.org>caut-bounces at ptg.org 
>[mailto:caut-bounces at ptg.org] On Behalf Of
>Fortenberry, Kevin
>Sent: Wednesday, October 21, 2009 3:34 PM
>To: <mailto:caut at ptg.org>caut at ptg.org
>Subject: Re: [CAUT] Tuning hammer technique and latest tuning hammers (Kevin
>Fortenberry)
>
>List,  I am really enjoying the discussion on hammer technique, and after
>reading and thinking about the last post from Fred, I was tuning a 
>Hamilton in
>the bass and switched to my right hand (which I started doing about 10 
>years ago
>after running into tremendous wrist, elbow and shoulder pain) and noticed 
>that I
>do hold my hammer at 2 to 3 o'clock on many occasions. I also have evolved 
>over
>the years into a very similar technique to what you guys are describing. I 
>will
>continue to observe and try to improve further. Thanks for this! By the way,
>after a few months of using both hands to tune, all my pain is gone 
>(except for
>"tuner's neck" of course).
>
>My question is: I really need to invest in a new hammer, and I thought maybe
>some of you could share with the list what hammer/s you like the best and 
>why. I
>am interested in the Jahn extendable from Pianotek; the Charles faulk hammers
>seem really nice; and then there are the new carbon fiber shank ones like 
>Fuyan,
>etc. I know this could be a can of worms because everyone has to choose what
>works for them, but I would really like to know what some of you all have
>selected for use in a real world. I have been using one of 2 hammers, my old
>Apsco ext with a ball added on, and a Schaff rosewood ext.-also added a 
>ball a
>few years ago.
>
>Thanks to all. Kevin Fortenberry
>________________________________________________________________
>
>Message: 1
>Date: Sun, 18 Oct 2009 21:34:41 -0400
>From: "Ed  Sutton" <<mailto:ed440 at mindspring.com>ed440 at mindspring.com>
>Yes, that is correct, and it seems to be important in making the hammer very
>rigid.
>es
>
>   Subject: Re: [CAUT] Bechstein model B tuning stability
>
>
>   If memory serves, no.  Part of Dan's approach is to have all joints welded
>together for extra rigidity.  Can someone else verify this?
>
>   Alan Eder
>
>
>   -----Original Message-----
>   From: David Ilvedson <<mailto:ilvey at sbcglobal.net>ilvey at sbcglobal.net>
>
>   Subject: Re: [CAUT] Bechstein model B tuning stability
>
>
>I remember Dan's article and the photo of the hammer.   Seems rather
>large...does it break down for transport?
>
>David Ilvedson, RPT
>Pacifica, CA  94044
>
>Subject: Re: [CAUT] Bechstein model B tuning stability
>On Oct 18, 2009, at 11:07 AM, Ed Sutton wrote:
>
> >> Fred-
> >>
> >> The point of Dan Levitan's over-the-stretcher lever is not to
> >> "eliminate flagpoling." The point is to eliminate unintentional
> >> flagpoling. You are free to control flagpoling in all directions,
> >> with or witout rotational forces.
> >>
> >> In a standard tuning lever, whenever you apply rotational force, you
> >> are also applying a certain amount of tilting force, proportional to
> >> the "rise" of the handle from the pin in the block, in the direction
> >> you are pushing the handle to rotate the pin.
> >>
> >> In Dan's over-the-stretcher lever, there is no rise, so if you
> >> rotate, you only rotate. But you are also free to tilt the pin in
> >> any direction, intentionally, not accidentally. It's not at odds
> >> with your approach, it's a more controllable version of your approach.
> >>
> >> Ed
>
> >   OK, fair enough. I "eliminate" the undesired tilt from the equation
> >by using a 12 o'clock position (11 to 1, to be precise), meaning the
> >tilt is at very close to 90 degrees from the string, and has minimal
> >effect on the string. That works well for me. Dan's design is
> >intriguing, but would require a major re-learning of technique. Which
> >is not necessarily a bad thing. Sometimes starting again from scratch
> >is a good way to leave bad habits behind. Dan's design also
> >essentially requires the hammer be in line with the string, for
> >geometrical reasons (though 6 o'clock instead of 12 for a grand). So
> >the technique would be the same - lean the pin towards or away from
> >the string for the given purpose.
> >Regards,
> >Fred Sturm
> >University of New Mexico
> ><mailto:fssturm at unm.edu>fssturm at unm.edu
>
>
>
>
>
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