I would have to say my experience is different. Touch is all over the place through the decades with recent iterations completely different action ratios than was intended (though not always achieved) in the early 20th century and at the beginning of the accelerated action phase. Tonal differences abound with soundboard conditions and treatments and different hammers through the years. The scaling has remained pretty much the same though and that does account for some predictability. David Love www.davidlovepianos.com From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of Jeff Tanner Sent: Thursday, May 20, 2010 2:46 PM To: caut at ptg.org Subject: Re: [CAUT] All-Steinway; was CAUT endorsement Yes, Stan, you are right. There are differences. But every Steinway I've worked with has a familiarity of tone and touch unless they've had somebody else's parts installed. I can sense a difference in the action when the parts are not OEM, and I can hear it when the hammers and strings are different. Not that it's bad, and not that Steinway hasn't had its own issues with parts over the years. But there is a difference. And there may be the point. If I can sense the difference, I'm sure the players can as well. Jeff ----- Original Message ----- From: Stan Kroeker <mailto:smkroeker at shaw.ca> To: caut at ptg.org Sent: Tuesday, May 18, 2010 1:12 AM Subject: Re: [CAUT] All-Steinway; was CAUT endorsement On 17-May-10, at 8:54 PM, tannertuner wrote: But it doesn't sound like a Steinway to me. Jeff ... and thus this tortured argument has, once again, come 'full-circle'. Can someone refresh my memory as to what a Steinway is supposed to sound like? To date, every Steinway I've ever experienced has sounded ... unique. Some magnificent, some satisfactory, some not-so-much. Cheers, Stan Kroeker, RPT -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/caut.php/attachments/20100520/1d4d2350/attachment.htm>
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