On Feb 11, 2011, at 2:35 PM, Laurence Libin wrote: > It's a mistake to think of early pianos as crude; some are highly > sophisticated instruments by any standard, starting with Cristofori's. Cristofori's were/are the opposite of crude: extraordinarily sophisticated. But some of those early squares were, shall we say, pretty basic. In one case, described by Pfeiffer, the hammer on a shank rectangular in cross section, lying directly on the key, hinged to the key with parchment. End of the shank sticking out beyond the end of the key to hit against a bumper rail. That being the action in total. I call that crude, comparatively speaking. Still, a functional instrument. I'd also call the actions of the squares with "fixed pilote" (a stiff wire with a leather bit on top that pushed the hammer up, no escapement, no check) rather crude. The rest of the instrument was usually sophisticated cabinetry, but the action was about as unsophisticated as you can get. Once again, quite functional and also important in getting the piano off the ground as an economically viable product. Regards, Fred Sturm fssturm at unm.edu "Travel is fatal to prejudice, bigotry, and narrow-mindedness." Twain
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