[CAUT] traveling refinements

Barbara Richmond piano57 at comcast.net
Sat Feb 12 13:15:37 MST 2011


Thanks, Jim. I was taught to cross paper on Steinways and thought it was the Steinway shape that required it. I haven't done much traveling on flat-flanged parts and couldn't remember if the same rules applied. One of those blips in my experience.... :-) 

Barbara 

----- Original Message ----- 
From: "Jim Busby" <jim_busby at byu.edu> 
To: caut at ptg.org 
Sent: Saturday, February 12, 2011 12:30:56 PM 
Subject: Re: [CAUT] traveling refinements 




Hi Barbara, 



Yes, the shape of the flange actually helps by giving you more “angles”. The main thing is the “cross-papering” you can do when the flange actually needs to twist slightly. Paper can be place on the front/one side, and kitty-corner on the opposite side. This actually can line up the hammer (usually when the flange is “cocked” a bit) and travel at the same time. So, in a nutshell not only can you “tilt” the flange as in traveling, but you can slightly alter the direction. Is that what you mean? Hope that is useful. 



Best, 

Jim 





From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of Barbara Richmond 
Sent: Saturday, February 12, 2011 10:57 AM 
To: caut 
Subject: [CAUT] traveling refinements 





Greetings list: 

I'm very familiar with traveling Steinway parts, but not flat flanges. Are there refinements to traveling them--other than just placing the traveling paper to one side or the other and the proximity to the flange hole? When I removed parts from the hammer rail of an action I'm working on, I noticed that sometimes paper was placed for or aft and not often the entire length of the flange. I understand the different widths of the paper, but not the for and aft placement on flat flanges. 

Thanks, 

Barbara Richmond, RPT 
near Peoria, Illinois 

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