Tuning stability is the result of good tuning technique while pitch stability is the result of smart piano design and humidity control. Tuning is separate from the work of rebuilding. The best improvement I have found in pitch stability is on pianos that have a horizontally laminated bridge cap. An older Ibach that I tune regularly has a vertically laminated cap but the laminations are thick and few. It is more stable than solid caps but not as stable as caps with a higher number of thinner laminations. A Baldwin D that Ron N. rebuilt/redesigned has a bridge and board that maintain pitch better than almost all pianos I tune. Laminated bridge caps working with ribs that support the soundboard and maintain its crowned shape even under the pressure of the strings have clearly shown superior pitch level control as the humidity changes. But, with all that said, if you want total pitch stability, get a keyboard and enjoy the canned music. I wonder if there is a danger in trying to get the system too stable at the cost of lively tone. As long as an instrument is acoustically driven, the pitch will vary. Don't make pianos too stable because I am not ready to retire! Bob Hull ----- Original Message ---- From: Ron Nossaman <rnossaman at cox.net> To: caut at ptg.org Sent: Tue, February 15, 2011 9:43:00 PM Subject: Re: [CAUT] Steinway rebuilds On 2/15/2011 9:18 PM, Brent Fischer wrote: > > I'm going to take the high road on responding. Research proves my > point, I'm just repeating it. Research? On piano tuning stability as a result of using varnish instead of lacquer on soundboards? That would make entertaining reading. > Proving stability differences is just a mute point. Well, no. That seems to be exactly the point. > However, too many rebuilders use lacquer on > boards because it's easy, not because it's in the best interest of > the instrument. At least a couple of techs providing service to my lacquered soundboard redesigns have reported that they are notably more stable than the original. There are a number of parameters for tuning stability in design and build of soundboards that are argued by non designers and builders of soundboards, but there is ample evidence that varnish is not the magic ingredient that provides stability. Ron N
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