What is especially interesting is that these experiments are so low-tech. They could be easily repeated in any college with two or three pianos in a recital hall. Actions rebuilt with current understandings of geometry might change the results, as could the range of hammers available. I'd like to know if the results are consistent! ES ----- Original Message ----- From: Laurence Libin To: Ed Sutton ; caut at ptg.org Sent: Tuesday, February 15, 2011 11:35 PM Subject: Red October Yes, that St. Petersburg group was way ahead in theory but they sure built lousy pianos. Laurence ----- Original Message ----- From: Ed Sutton To: caut at ptg.org Sent: Tuesday, February 15, 2011 10:33 PM Subject: Re: [CAUT] Steinway "sound" For those who have not read this paper by Alex Galembo, it may be a bit of a revelation. http://www.engineeringandmusic.de/individu/galealex/gaalproc.html Ed Sutton -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/caut.php/attachments/20110216/36365867/attachment.htm>
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