Yes, epoxy does provide a true vapor barrier, but.it takes thicknesses that rather preclude its use on piano soundboards. As well, most epoxies break down over time due to exposure to ultraviolet light so they need their own finish protections. When I use very thin ("coating") epoxies on piano soundboards I sand most of the coating away after it has cured leaving just the amount that has penetrated the surface of the wood and then I coat that with a clear finish that contains UV blockers. This is not intended to be-nor is it-a vapor barrier. ddf Delwin D Fandrich Piano Design & Fabrication 620 South Tower Avenue Centralia, Washington 98531 USA del at fandrichpiano.com ddfandrich at gmail.com Phone 360.736.7563 From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of Bob Hohf Sent: Wednesday, February 16, 2011 6:18 AM To: caut at ptg.org Subject: Re: [CAUT] finish/moisture barrier According to research done at the Forest Products Laboratory in Madison, WI, the only wood finish that provides a true moisture barrier is epoxy. My source on this is a class at a Wisconsin Days Seminar in the 80s taught by a Forest Products researcher. For information on the relative moisture resistance of various finishes, see Table 16-2 of Wood Handbook: Wood as an Engineering Material, published by the Forest Products Lab. Bob Hohf From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of Brent Fischer Sent: Tuesday, February 15, 2011 10:44 PM To: caut at ptg.org Subject: Re: [CAUT] Steinway rebuilds Ron, The research I mentioned was pertaining to permeability issues , sorry that wasn't clearly stated. The reports that you claim about increases in stability are probably design related not finish differences, and are just as speculative as me saying lacquered boards need double duty damp-chasers. If I indeed implied that varnish is a determining stability factor, well, I'll back the truck up on that one. The real question I have is if you know that varnish provides a better moisture barrier in the first place, why use a coating with less moisture sealing properties? Because it's easier? --- On Tue, 2/15/11, Ron Nossaman <rnossaman at cox.net> wrote: From: Ron Nossaman <rnossaman at cox.net> Subject: Re: [CAUT] Steinway rebuilds To: caut at ptg.org Date: Tuesday, February 15, 2011, 8:43 PM On 2/15/2011 9:18 PM, Brent Fischer wrote: > > I'm going to take the high road on responding. Research proves my > point, I'm just repeating it. Research? On piano tuning stability as a result of using varnish instead of lacquer on soundboards? That would make entertaining reading. > Proving stability differences is just a mute point. Well, no. That seems to be exactly the point. > However, too many rebuilders use lacquer on > boards because it's easy, not because it's in the best interest of > the instrument. At least a couple of techs providing service to my lacquered soundboard redesigns have reported that they are notably more stable than the original. There are a number of parameters for tuning stability in design and build of soundboards that are argued by non designers and builders of soundboards, but there is ample evidence that varnish is not the magic ingredient that provides stability. Ron N -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/caut.php/attachments/20110216/c3fc46ac/attachment-0001.htm>
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