Fred Sturm wrote, in the "Steinway Sound" thread: "Partly it is regulation, but once that foundation is laid, it is a question of voicing in conjunction with the responsiveness of the whole belly apparatus, how much and how fast a gradient there is, for increase in power and change of timbre, versus added effort at the key. This is a major factor in how a pianist will judge a piano." What if the regulation foundation was adjustable? At the MARC two years ago (and other conventions since), David Stanwood conducted experiments in a classroom demonstrating his variable action ratio balance rail setup in a Mason and Hamlin grand. He had two or three technician-pianists play the piano with a low ratio (5:1), then play the same thing with a high ratio (6:1). Same hammers, same voicing, just the balance point on the keystick changed. Interesting results: 1. I and most of the other "audience" members noticed the piano sounded different after "switching gears". 2. The performers had strong opinions about which ratio they preferred. 3. And the kicker for me: The ratio they preferred to play on was NOT the ratio I thought sounded the best. Then, David added a gram to each hammer with binder clips, and repeated the low and high ratio experiment. The additional weight changed the tone, as expected, but we also heard changes with the ratio shift as before. They seemed to play better when they had to work for it. I don't remember if they preferred 5 or 6, heavy or light hammers, but I remember comments like "It was easier to control with ratio x than y". I liked their playing better when they thought the piano was harder to control. Maybe pianists select the wrong pianos. David would like to see a future where performance pianos have easily variable ratios, which would be fine adjusted by each player to suit. NOW imagine the piano selection process. We have a pedal to provide variable voicing. Wouldn't it be cool to have a pedal or knob or lever (or gearshift?) for variable action ratio? There is still plenty of room for new piano design. Greg Graham
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