Mine shows it a little lower but still higher than I'd consider safe. Considered switching from a wrapped bi-chord to a plain steel tri-chord? According to my spreadsheet this might actually work better. F#-3 (note 34, right?) with a length of 865 mm and plain wire of 0.041" to 0.043" diameter looks acceptable depending, of course, on what is above and below. ddf Delwin D Fandrich Piano Design & Fabrication 620 South Tower Avenue Centralia, Washington 98531 USA del at fandrichpiano.com ddfandrich at gmail.com Phone 360.736.7563 -----Original Message----- From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of Ron Nossaman Sent: Sunday, February 20, 2011 2:22 PM To: caut at ptg.org Subject: Re: [CAUT] Lacquered hammers Speaking of less than stellar scales in production pianos (and speaking of Samick), last week I tuned a Samick SU-143M, that I had tuned for the last five years or so. The low string of the F#-3 bichord popped as I pulled it up to pitch. Two splice attempts also popped, so I brought it home for replacement. Out of curiosity, I took measurements and put them in my scaling spreadsheet. It's an 0.032" core, 0.047" outside wrap diameter, and an 865mm speaking length. According to Sanderson's math, that puts it at 73% of breaking strength at pitch. That goes a ways toward explaining why the splices failed. So here we are. The wrap is about 0.007, which is already smaller than I like, so there's no hope of increasing the core and reducing the wrap. You know that in plain wire, the break% doesn't meaningfully change with a wire size change. With wrap this small, a similar situation occurs. By increasing core size to 0.036", with 0.007" wrap, I can get 66% break, and let the inharmonicity fall where it may. What I'd like is about a 100mm shorter speaking length, but that's hard to get with a field repair. Welcome to the world, Ron N
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