Fred- Based only on the sample pages of Amazon.com, I am disappointed. His studies are based on his own 1916 S & S M, which he takes as a standard of standardness. At NAMM I saw so many fine instruments, grand and vertical, designed by people like Del Fandrich, Frank Emerson, Bruce Clark and Lothar Thoma, to name a few. Failing to account for the understanding and advances introduced by people like this is, I think, a serious flaw in a book that hopes to be up to date. I suppose I'll have to spend $50 to find out if my criticism is valid. Ed Sutton ----- Original Message ----- From: "Fred Sturm" <fssturm at unm.edu> To: "College & University Technicians" <caut at ptg.org> Sent: Thursday, February 24, 2011 3:05 PM Subject: [CAUT] Physics of the Piano Hi All, I have been reading a new book, came out in 2010, called Physics of the Piano, Nicholas Giordano, Oxford U Press. I would like to recommend it as the best overview I have seen of the issues involved in the piano from a physicist's perspective. It covers the field quite well, and explains on a level that is understandable to the non- scientist, but not dumbed down so as to be watered down. Some new stuff I wasn't aware of. Giordano has done quite a bit of original research himself, but he includes material from people like Askenfeld and Conklin. There _are_ a few warts, as is probably inevitable, but it is a great introduction to the principles and to the experimentation that has been done in a scholarly way. I wish/hope Stephen Birkett might come out with such a text some day, but meanwhile this is pretty good as a starting point. Regards, Fred Sturm fssturm at unm.edu “Art is not a mirror held up to reality, but a hammer with which to shape it.” Brecht
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