And well it should be considering the weight of the new hammers compared to the old ones. There's probably some optimum relationship between hammer weight and shank stiffness, though I don't really know how I would determine that. A lightweight hammer on a very stiff shank or a heavyweight hammer on a more flexible shank certainly doesn't make sense intuitively and my experiences with saving old hammers and rehanging them on new octagonal shanks have produced something a bit "strange". Some flexing of the shank is probably necessary to give you a feel for where the hammer is exactly--if you can't feel the hammer you have a hard time controlling it. Too much flex is simply too much of a good thing and you start to lose control on the other end. Not only was there a time when every quality grand had shanks that were thinned in the upper ranges but there was also a time when the bass shanks were thicker than the tenor shanks which were in turn thicker than the treble shanks. Shank diameters weren't just adjusted for the last 17 notes but changed gradually through the entire set. David Love www.davidlovepianos.com I doubt a longer shank would practical (lots of reasons), but the newer Steinway shank design is clearly stiffer than the older. <snip> Fred Sturm fssturm at unm.edu "Since everything is in our heads, we had better not lose them." Coco Chanel
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