[CAUT] Steinway sound

Delwin D Fandrich del at fandrichpiano.com
Mon Feb 28 19:21:51 MST 2011


How much whip there is-or is not-in the hammershank depends quite a lot on
the force of the key strike. It also depends on the stiffness of the shank,
the mass of the hammer and the exact physical relationship between the
hammer and the shank, of course, but even with a given hammer and
hammershank the amount of whip-and, hence, its interaction with the
strings-is anything but consistent as the key force is varied from
pianissimo to forte. 

 

It is tempting to make universal assumptions about phenomena such as
hammershank distortion based on available high-speed video clips but these
clips are not at all exhaustive. While we may observe some particular amount
of whip in one hammer and shank assembly and with some certain amount of key
force what happens at some other amount of key force will most certainly be
something else altogether. Not to mention what might be happening two or
three octaves up or down the compass. 

 

ddf

 

Delwin D Fandrich

Piano Design & Fabrication

620 South Tower Avenue

Centralia, Washington 98531 USA

del at fandrichpiano.com

ddfandrich at gmail.com
Phone  360.736.7563

 

From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of
rwest1 at unl.edu
Sent: Monday, February 28, 2011 9:24 AM
To: caut at ptg.org
Subject: Re: [CAUT] Steinway sound

 

Dale,

 

I don't have a current project going, but I've always wondered what it would
be like to go with early designs.  And I don't particularly like the way
Steinway is going with its current designs.  In particular I've wondered
about the whipping effect a lighter, longer shank might provide.  It seems
like the difference between a catapult and a trebuchet.  I know the leverage
is totally different, but my point is whipping versus jamming the hammer
toward the string.  I've seen the high speed videos and I was amazed at how
much the hammer shank bends on a hard blow.  In fact the hammer doesn't
strike at 90 degrees because it tilts back so far, then scrubs the string a
couple of times before it's finally clear.  Amazing and thought provoking.  

 

Richard West

 

 

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