Mr. Love, In regards to your statement: >I don't know about a "non-steinway" touch but the Stanwood system users >sometimes push the lower limits of action ratios with the belief that if low >inertia is good, lower is even better. <snip> This is hogwash. ;-) The motivation to push the lower limits of action ratios is always client driven. Precision Touch Design installers are trained to make a determinations based on qualitative (listening to the client and the piano) and quantitative (touch weight metrology) information. Then, using our collective experience and wisdom, we make a judgement as to the best combination of touch design parameters that will satisfy the client. If pushing the limits makes them happy then we've succeeded. Our limit for dip is 10.5mm. If the so called traditional specs are to be sacrificed for low ratio in order to achieve aftertouch, then it should be in cramming the blow. Extreme low ratios are not in the realm of "Steinway Touch". I would characterize that as simply a firm solid touch that a professional pianist can really dig into. This kind of touch has been produced by many variations of action ratio and hammer weights over the years. SALA pianos (pianos with Stanwood Adjustable Leverage Action) are providing choice to the pianist and informative feedback to the piano designer. We've only just begun to take data in Conservatories as to what the most preferred ratio settings are. The Steinway D which we showcased at the PNWC in Seattle last year was played by three professional pianists during the conference and each preferred a medium heavy setting but one preferred a medium light setting for certain repertoire. This SALA Steinway D had 1/4 high hammer Strike Weights which give an appropriate Steinway Sound for concert stage. On the medium high setting the ratio would be 5.7 with a 41 Balance Weight (53 down weight with 12 friction). On the Medium Light setting the ratio would be 5.3 with a 35 balance weight (47 down weight with 12 friction). David Stanwood "Just trying to help"
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