On Tue, 17 Jan 1995 psloffer@ucs.indiana.edu wrote: > Hi to all: > > This is in response to the recent post about tuning for concerts > and so forth where use of a "strobe" is not wanted. > > I have never seen a "strobe" give good results. Taken at his > word the manager is correct about not wanting the piano tuned > with a strobe. However, it is more likely he is using the term > strobe to include any electronic devise including the accu-tuner. > > I have tuned pianos for many kinds of performances for the 15 > years or so that I have worked a IU. Until I bought my accu- > tuner last fall all these tunings were aural. I posted several > questions about using the accu-tuner, one of them concerned using > the thing to tune for concerts. While most of us who use the SAT > are happy with what it does for us, most of the responses to my > question about using it for concert tuning were no, never or > seldom. I found this interesting. I have been very impressed > with what the machine can do if used properly. That is to say a > good piano in good condition tuned with a good tuning stored in > memory should yield good results. But................. > Obviously the old "Strobo-Conn" was not adequate. I've been tuning aurally for 20 years and I've had my SAT only 2. I just think it's time we recognized this technology for what it is...very good. > > So where does this all lead or leave us? Personally I am glad > to know how to tune aurally. I am also glad to have the accu- > tuner because it makes work easier especially pitch changes. > And frankly I am not sure what I would say to someone starting > out about how to learn to tune. > In my class here at SMU I teach aural tuning techniques even tho probably none of these students will ever become technicians. Just in case 1 every 5 years decides to take it seriously I would want them to have aural techniques down. Dave Porritt SMU
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