>This morning I inspected an 1884 John Broadwood & Sons Drawing Room
>Grand. This is the first time a piano technician has looked at it since
...
>Question 1: To what pitch was it designed to be tuned?
Here is an extract from an article in the Journal a few years ago about how
pitch "standards" have changed... perhaps it might help?
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1874 A=454.7 London. Fork representing the highest pitch used
in Philharmonic concerts. The highest pitch used
by the Broadwood Piano Co.
1876 A=446.7 London. Concert pitch
1877 A=449.9 London. Standard fork used by Collard Piano Co.
1878 A=451.9 London. British Army regulations. Pitch for Wind
instruments.
1879 A=449.7 London. Pitch of the Opera Orchestra at Covent
Garden during performance
1879 A=454.7 London. Tuning fork used by Steinway & Sons to
tune pianos in London.
1879 A=457.2 New York. From a tuning fork used by Steinway &
Sons.
1880 A=444.9 London. Her Majesty's Opera.
1880 A=446.2 London. Tuning fork used by John Broadwood and
Co. for in-house tunings but NOT for public
concerts.
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That was a fascinating article... unfortunately it doesn't say which issue
and who the author was in the bit I typed out back then.
John
John Musselwhite, RPT Calgary, Alberta Canada
musselj@cadvision.com sysop@67.cambo.cuug.ab.ca
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