Dear Inharmonicity, I read all your knowledgeable definitions - OK - but for me the real questions are: 1) WHAT are the specific properties of the piano string and scaling components etc. that actually CAUSE it ??? 2) Which of these properties are ranked the MOST significant and the least significant contributors ??? 3) How does one justify it in the piano compared with other string instruments ??? 4) What are the perceptual properties that APPEAL to the listener ??? 5) Do composers, deliberately or unconsciously, make use of inharmonicity ??? 6) How do we measure it ??? 7) Should it, or could it, be effectively REDUCED to the betterment of the piano sound ??? etc. etc. etc. AlanD (shouting timbre - or is it tambra)
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