Alan W Deverell wrote: > > Dear List, > > About 10 years ago I began assembling the components to build a high > intensity Xenon Strobe (light) which together with a Hewlett Packard > Spectrum Analyzer, Signal/Pulse Generator etc. would enable me to SEE > just what the strings in different pianos where doing that gave them > their individual tonal qualities. SNIP > What I envisaged was that we could produce a device, somewhat similar > to an Automotive Timing Light, which, together with analytical > instructions (for more serious work some appropriate > ancillary/optional equipments), may be helpful in the design, problem > solving, voicing etc. of pianos (and perhaps other stringed > instruments). SNIP > Just think of ALL those niggley problems that occur - they can be > heard - but - because they can't be seen or readily measured - they > can't be easily pinpointed or accurately identified. > > Perhaps someone has already done this ? Alan, There is a high-speed film somewhere of a piano wire vibrating after being struck with a hammer. I beleive it was made by engineers at Kimball. (Now there's a contradiction in terms!). Anyway, Rick Florence at ASU did a nice presentation using it a few years back at the Deerborn convention. (Jim, I'm certain you know all about this). Anyway, you get a very interesting perspective regarding the relationships of the hammer and string, and even more so, how the string vibrates. Your idea sounds equally interesting and I would be very interested in seeing it if you can get it up and running. Rob Goodale, RPT
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