Rob, I've noticed that also. At times I only have the time to do a quick "touch-up" on one of our concert grands. I run through and check unisons first. When I hear a questionable one, it's almost always one of the outside strings which has changed. In a case like this, I tend to let the "majority" rule. If either the right OR the left string gives a good unison with the middle string, I retune the other one and then make sure the octave is OK. A bad unison will be noticed much quicker than a slightly out of tune octave, IMHO. Avery >And I say: > >OK, let's go with the idea of the pressure on the bridge causing a shift. >When I'm checking over my unisons and I find one where a string has drifted >a bit >it almost always is *not* the middle string of the unison. > >I wonder what others will say about this. > >Rob
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