Hello list, I would like to thank everyone who answered my question on broken strings in my C3. Now I'd like to remind everyone that every person has a different way of looking at things. Many technicians, it seems, wish to reducible players who have broken strings as bangers without technique. I disagree I have been at the concerts where the artist has broken strings and pianists famous for their sensitivity and technique have broken strings as well. I don't think it is a good things to break strings all the time just because Liszt did it. I think it is important to recognize the limits of the instrument at hand and respect that (a 6' piano will never have the sound of a 9' no matter how much you want that kind of volume in crescendos). I do intend on keeping this in mind when playing - the instrument isn't perfect. However perhaps this is something that can be "improved" There was a string not long ago about the need for new technical advances in piano design - perhaps this is something to consider. Tom Martin http://www.geocities.com/hotsprings/villa/4107 martitn5@juniata.edu
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