I rely heavily on parallel twelfths (oct + 5th) for octaves above the temperament, and parallel tenths below. At 01:11 PM 6/26/98 -0600, you wrote: >>> >>>It seems to me that if octaves, fourths and fifths are all sweet and even, >>>any very minor alterations in the temperament in the high treble will be >>>unimportant; in fact, totally indistinguishable without a machine. >>> >>>Regards, >>> >>>Susan >> >>That's a pretty good description of what I do. Add double octave checks to >>the bottom, and the top >> >> > >Ron, it's very reassuring to hear that you do nearly the same thing I do >when tuning octaves. Does anyone else here do it the same way? > >Regards, > >Susan > > > > > >Susan Kline >P.O. Box 1651 >Philomath, OR 97370 >skline@proaxis.com > >"Getting there is only half as far as getting there and back." > -- Ashleigh Brilliant > Vince Mrykalo RPT vince@byu.edu '''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''' '''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''' '''''''''''''''''''''''''''''''' Sense is an uncertain guide. Numbers cannot fail. - Pythagoras
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