Dear Avery, I did not read the original post, and can only speculate regarding this question, but I do have a couple of observations. Observation #1: I have been advised by Bob Marinelli, who duplicates keyboards (in a most wonderful manner, I might add), that the Baldwin keyboard and Steinway keyboard starting around 1940 are about 3/8" narrower overall than the standard keyboard of today, including the Kluge keyboard that Steinway now installs. Thus, if you replace a Steinway keyboard of this vintage with a Marinelli or Kluge keyboard, you will need to relocate and reduce the thickness of one or both of the cheekblocks. Observation #2: I have found that if one uses original Steinway dimensions on the shank, i.e. a 15.5mm knuckle set (from the center pin, measured from the center of the pin to the center of the knuckle moulding), one can use a 12mm sharp height; however, if one uses the current production part (17mm knuckle set), one must use the 1/2" sharp height because of the greater dip required (.420" vs. .390"), otherwise, the sharps will bury between the adjacent naturals. Most of the European and Asian pianos call for a 12mm sharp height. Just some points to ponder. Regards, Charles >List, > > A question came up the other day on the piano list about the Steinway >not being as "user friendly" (as it was called) in their white to black >note ratio, as compared to pianos like Baldwin, Mason & Hamlin, Chickering, >Kawai and several others. > Another comment said that maybe it's the height of the black note and >that it seems more accessible and easier to hit. Mason and Baldwins fit in >the hand; but some new Steinways use very narrow black keys and are higher >to hit. > The only thing I can come up with is that he's referring to the height >of the black keys (and the width?) on S & S. Aren't all pianos pretty much >standard at 1/2" above the sharps? > Any comments would be welcome. > >Avery Charles K. Ball, RPT School of Music The University of Texas at Austin Austin, TX 78731 512-467-1535
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