Ken Jankura wrote: > > List, > I think I may have hit on something to help us all do our work better and > more efficiently. Recently I was tuning and having a little trouble hearing > the partials I wanted to hear. Though I use an Accu-tuner now, I learned to > tune aurally and I always check as I tune to try to improve on the machine. > Well, I was tuning the high treble and noticed that I could hear the 2nd > partial, the 2:1 octave, better when I opened my mouth. Try it, you'll > definitely notice a difference. If you open your mouth just a little it > seems like the second partial just gets isolated a little more than normal. > There must be something of a synergistic effect in using your eustachian > tube as a resonator chamber. So I then went the next step, and opened my > mouth as wide as I could and I noticed that the 6th partial just rang out > as clear as a bell. It was really simple to hear and tune the bass this > way, except that my jaw got tired. So what I've come up with is a series of > "Partial Props" that I carry in my toolcase, four of them, to help me hear > what I want to hear. They range in size from 3/4 inch to 2-1/4 inches, > pieces of dowel rod, turned from beautiful tropical hardwoods, with teeth > protecting rubber caps, for different ranges of the piano. Thank goodness I > don't have to use that 2-1/4 inch one very often, that's for an 8:4 octave, > but the 1-7/8 inch works great for a 6:3, the 1-5/32 inch for a 4:2, and > the 3/4 inch for the 2:1. Customers do look at me a little funny, but I > just take the prop out of my mouth and explain that it's for the good of > the piano. I was hoping to go into business manufacturing these, until I > realized that each person is going to have to find their own best > dimensions, their own 'sweet spot', if you will, to get the best effect. So > don't let your eustachian tube just sit there, make it work for you! My > tunings have never gone so smoothly or so quickly. > Ken Jankura > > Happy April Fools to you 2. Bill
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