Tuneoff/Tighter standards, or CE certification?

Bdshull@AOL.COM Bdshull@AOL.COM
Wed, 17 Feb 1999 03:45:38 EST


In a message dated 99-02-16 19:11:41 EST, you write:

<< My question to this group is: Do you feel that our temperament standards 
 are a little too high? I would like some feedback. I am not promoting
 Historical or hysterical tunings. In all of the classes where I have done
 this type of test, it was conceded that both tunings were good tunings.
 
 Have I opened a "can or worms" or what?>>

Jim, you remember that I was one of the first to be demonstrative about the
wrong piano last Sunday....sigh.

First my reflections on the temperament section of the tuning test,

Second, a proposal for a direction I wish the PTG would go, instead.

1 - The tuning test:  I took the test with a visual aid in 1984.   Both visual
and aural exams passed easily, but my aural (midrange 2 octaves) was 10 points
higher - about 94%, I think - and I was not so hot an aural tuner (I was
pleasantly surprised).  I will retest this year (fell off the PTG wagon in
1993) as an aural tuner.  Has the temperament test scoring been tightened
since '84?  I am not clear on the history of the scoring of the tuning test
since 1980, although posts have referred to it having been tightened up.
Jim, I think what you said in class Sunday is true:  a few months
concentrating on the basics in our daily tuning routines and we should have
little trouble with the test.  (I will take the test in June myself, so I hope
I haven't spoken too soon....)

I am in favor of the RPT test as we have known it since 1980.  The refinements
in the technical test are good.  But - 

2.  I propose that we begin to take our focus away from refinements in the RPT
test and look at something else.  Instead of tightening standards further (as
well as possibly relaxing the temperament test??), why not consider a
different way of recognizing specialization in our field than has been
proposed in the past?  Instead of concentrating on tightening standards
further, or adding other levels of testing, why not certify specialized
convention coursework?   This is more than a proposal to rename current
classes.  But it is not a proposal for an expensive and politically charged
specialty rebuilding designation, either.   Specialization coursework
certification need not involve the extensive testing and administration
required by the current RPT examinations.   For example,  after the RPT has
been earned, further specialization might be earned only after participation
in a curriculum which could be included in regular state and annual
conventions.  Completion of that curriculum earns a PTG CE (continuing
education) specialization certificate in that specialization.  While not all
convention coursework would be tailored for the CE specializations, some
courses would be included at each annual convention (and some state
conventions) - and these offerings should help to enlarge convention
attendance, especially as the certification becomes sought after.   Areas
which specialization could be offered include (the following are the two areas
I believe should be covered, at a minimum):

College and university service.  A curriculum which is well rounded, and
tailored to the demands of the (usually) NASM-certified music
departments/schools.  The technician would benefit from the thorough
curriculum, the service to the institution should improve, and the stature of
the PTG in the music educational community would be improved.  Music
administrators would increasingly seek RPTs who have this specialization.
Without special curriculum, some classes may never be offered - subjects like
using student help, or the political and administrative aspects of univ.
service, or balancing the needs of the various departments as you service the
performance pianos, or the special rebuilding procedures of the frequently
serviced university piano, etc.  Only the experienced university tech can
address these issues, and the best place for this is at the conventions.  RPT
standing would be further enhanced in the eyes of the univ/music
administrator.

Basic piano rebuilding.   The RPT test does not address rebuilding skills, and
only briefly addresses rebuilding knowledge.  Excellent classes are regularly
offered at the conventions, but it is possible for the RPT rebuilder to be
marginal or incompetent.  The idea has been to make the resources of the PTG
available to the learning rebuilder;  why not go a step further, and create an
incentive for the learning rebuilder to obtain a well-rounded education in
rebuilding, through the various classes - both theoretical and hands-on -
which are offered at the conventions?  That incentive would be a rebuilding
coursework certification.  Classes required would include the gamut of
rebuilding classes usually offered, as well as classes like Vivian Brooks'
class on the money side of the business.  The CE certification would help to
standardize curriculum.

The increase in knowledge about the piano as it applies to the
rebuilder/restorer, and the increasing availability of a plethora of fine
parts choices meeting high technical standards - these developments cry for a
basic rebuilding certification which shows that the RPT with a CE rebuilding
certification at least has sought the basic skills and knowledge to make use
of these resources.  There would be real benefits from of an organized
curriculum which certifies the RPT specialist.   The RPT membership will be
more thoroughly developed and educated.  The RPT standing should itself be
more sought after - as a stepping stone to specialization.   The music dept
chair might further respect the RPT designation.  The conventions may be
better attended.  The PTG will be seen as becoming a more modern professional
organization serving the very real needs of its members.

The PTG simply does not have the resources financially to take the idea of
specialization to the level of testing and field inspections (shop
evaluations, project inspections, etc....)  But why not become organized
enough to have a standard continuing education curriculum in a few
specialization areas?  This will permit the PTG to more thoroughly meet its
goal of advanced RPT training, it will show the public and the music schools
that the RPT has at least a basic certification in important specialized
areas, it may provide additional inducement for non-PTG members to become
RPTs, and finally, a thorough curriculum should improve the overall level of
knowledge and skills of all PTG members.

Sorry for the verbosity - if you made it to here, what do you think?  is this
pie-in-the-sky?  Or is it just too intense for our conventions? 

Bill Shull
La Sierra University, Loma Linda University
Loma Linda, CA






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