This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Hi there Dave... Interesting reading, I will study it closer and = your follow up as it comes through. David Standwood is interested in = useing the data I sent him from my little "front weight" problem piano = to set up an example and to some degree a walkthrough of his method for = interested on this list. I am not sure exactly what he has in mind, but = I would assume it would be a valuable exercise for any of us = particullarily interested in actions, and anyone else for that matter. = Any and all interested should pipe in and let him know so that he's = willing to put in the time an effort. As I understand it, he would be = putting up a couple sides at his website to display the data and his = analysys of it. Sound interesting ????? Chime in then ! =20 Results of current action modification: =20 Original action had a shank with a 16.2 knuckle radius and an angled = wippen cushion. This action was heavy and had little to no aftertouch (jack was not = clearing the knuckle sufficiently). =20 Installed a shank with a17mm knuckle and a straight wippen cushion = (Turbo Wip). Trial regulated a few notes and the aftertouch was the same. I set = the hammer to half-blow ran a line from the b/r to the c/p, capstan too far forwards. I = placed a mark on the cushion where the line intersected. With the hammer still blocked and the capstan = removed I also placed a spacer under the key front to simulate the key's attitude at that = key event (half-blow). I simply held a small ruler parallel to the wippen support post and drew a line = through the mark on the sides of the wip and keystick. A temporary capstan allowed a trial run, = perfect. I set all the capstans to this new line. =20 The original capstan angle was 10 degrees with an average KR of .48. New line has capstan angle at 90 degrees with an average KR of .50 = and in a tighter range. It makes you wonder how capstans are drilled so haphazardly to begin with. Had = this 'magic line' intersection resulted in the jack not functioning to my liking, I would have = moved the capstan fore or aft to where it did and adjusted the wippen cushion height to accommodate the 'magic = line'. =20 This method has allowed me to specify blow distance, dip, etc, and = result in a fine regulating piano as opposed to having to fudge on hammer height or dip to get the action = to function properly. The biggest mistake we make is to assume that everything at a = factory was performed with absolute accuracy. =20 My next step is to sample UW/DW and have David calculate a smooth FW = spec. =20 This stuff is so easy. =20 Jon Page, piano technician Harwich Port, Cape Cod, Mass. mailto:jonpage@mediaone.net ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~=20 ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/b5/50/ea/56/attachment.htm ---------------------- multipart/alternative attachment--
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