Phil Bondi wrote: > > Had the great pleasure to work with Harry Connick Jr. yesterday. > > His S&S 'D' was doing something I had never heard before - up around G#6, I > started hearing 2 ghost tones(A#5 and D6) as I would play - never heard > anything > Rook I had a 'ghost' in a S&S D once that turned out to be coming from one unison in the 6th octave between the bridge and hitch pin. When a particular note was played in the upper 4th octave the overtone would start up that kept on ringing. After several visits and consistently producing it, I felted off a bit of that area. How did your ghostly sounds express themselves? Since it disappeared it might not have been from the piano. Maybe Harry will play around here sometime. Dan
This PTG archive page provided courtesy of Moy Piano Service, LLC