Ah! Thanks Ric. The video doesn't refer to _that_ restoration but a recent restoration by one Stewart Pollens. I couldn't understand why the museum would allow the instrument to be restored. It would make much more sense to leave the original alone and use it only as a pattern to make an accurate copy. But if this instrument was not completely "original", then I guess it made sense to let someone restore it. Kent on 5/19/00 1:27 AM, Richard Moody at remoody@midstatesd.net wrote: >> The tape says there are 3 Cristofori >> pianos extant, one of which, owned by the New York Metropolitan Museum, is >> playable. The restorer of the instrument was named, but I don't remember > it >> just now. The tape contains a recording of Paul Badura-Skoda playing a >> Domenico Scarlatti sonata on the Cristofori instrument. The instrument >> looked like it was about to fall over, but the sound was lovely. Highly >> recommended. >> >> Kent Swafford > > This is from the article "Pianoforte" by A J Hipkins and K S. (Kathleen > Slasinger? sp?) in Britannica eleventh edition. c 1908---mentions two > Cristofori instruments, one in the Metropolitan Museum in NY and another in > the Kraus Museum, Florence. > The MM piano , "has undergone considerable restoration, the original hollow > hammer-head having been replaced by a modern one, and the hammer-butt, > instead of being centred by means of the holes provided by Cristofori > himself for the purpose, having been lengthened by a leather hinge screwed > to the block....but the Krause Museum (one) retains the original leather > hammer-heads." > A drawing shows "Cristofori's Escapement Action, 1720. Restored in 1875 by > Cesare Ponsicchi." > A footnote gives the information of the restoration as , "Communicated > by Baron Alexander Kraus (May 1908). " > > I should note that a photocopy of the article was provided by Kenneth > Klauss, of the Klauss Archives and James Gallery in Parkston South Dakota. > ---ric
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