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I'll interspese my comments with your post below - look for **
Terry Farrell
Piano Tuning & Service
Tampa, Florida
mfarrel2@tampabay.rr.com
----- Original Message -----=20
From: Billbrpt@AOL.COM=20
To: pianotech@ptg.org=20
Sent: Wednesday, November 22, 2000 9:36 AM
Subject: Re: Jasper American Piano
In a message dated 11/22/00 8:04:44 AM Central Standard Time,=20
mfarrel2@tampabay.rr.com (Farrell)=20
writes:=20
> "Instead of the high flight tune-offs between Coleman & Smith, the =
> ultimate PTG challenge might have been having a couple of our=20
> superstars each uncrate one of those puppies, and after a frenzy =
of=20
> string seating and hammer needling, see what they could turn them=20
> into."=20
Now that is an interesting thought. Give 'em maybe four to eight =
hours -=20
anything goes - and see what they can do. I'll bet a GREAT =
EDUCATIONAL=20
DIVIDEND would result. Are you reading this Dale Probst??? Who is =
running=20
the show in Reno this year??? Are you reading this??? Is this an =
idea or=20
what? Anything to increase the tolerability of some of these =
offensive=20
little critters.=20
Frankly, Terry, I don't see this happening. As someone who deals with =
this=20
kind of piano, fine grands and everything in between, I can tell you =
that you=20
learn to look at the piano and the expectations of the customer as =
individual=20
cases. The old saying, "You can't make a silk purse out of a sow's =
ear"=20
comes to mind. The lady thought it sounded pretty good as it was and=20
speaking pragmatically from experience, that already counts for a lot. =
Doing what you and the other writer suggest, tearing the piano apart, =
seating=20
strings, replacing materials, etc., would only end up making you, the=20
technician look like some kind of con artist who would try to "sell =
ice to=20
Eskimos". If this piano had not been tuned in years but the customer =
is not=20
concerned about pitch, why try to *force* that issue? If she agrees =
that it=20
sounds "tinny" and it is obvious that the hammers were overly =
hardened, why=20
not just squirt a little alcohol on them or use Roger Jolly's steam =
method?=20
** No one said anything about rebuilding the lady's 5 year old =
Kimball. The post regarded a free-floating thought for a convention =
class. Nothing more than a whim at this point. Often some of the best =
learning experiences are those that take us to a realm that we might =
otherwise not ever go to (And BTW, the hammers were so deeply grooved, =
that I would not want to steam them - I would be afraid that the first =
time they hit the string, they would stick!)
Now, I might do things like vacuum out dirt, lube, tighten screws, =
adjust=20
lost motion, let-off, key level and dip, file and basically voice =
hammers on=20
a piano like this when the time comes and the customer agrees. But in =
this=20
case, it is a newer instrument which was obviously purchased more as a =
piece=20
of furniture than as a musical instrument. It would be best to simply =
tune=20
while perhaps raising the pitch a small but comfortable amount and use =
a=20
quick and easy voicing technique that would soften the overly hard =
hammers.=20
** I stated in my post that the daughter plays the piano and she has =
been taking classical piano lesson from a very prominent local teacher =
for six years. In my opinion she needs the piano well tuned at A=3D440. =
Anything less would not be doing my job, IMHO.
If the tuning pins are tight, take that as a positive thing, not =
negative. =20
** I did not comment on that.
The back structure of these kinds of pianos is a solid as a rock. You =
can=20
count on at least that part of it to hold up for a lifetime. Use the =
kind of=20
tuning hammer and/or technique that will allow you to move those pins. =
Don't=20
worry about false beats if there are any, the customer can't =
distinguish such=20
fine points.
** The daughter was complaining that her piano does not sound like her =
teachers. I think she may be able to distinguish such fine points.
Don't badmouth the piano in any way. Tell her it "looks nice"=20
in her living room and "sounds pretty good" when you are finished =
tuning, *in=20
the usual amount of time and for the usual fee*.=20
** I did, but it took a lot of lip biting to not tell her to get her =
daughter a real piano for playing Chopin & Beethoven.
Lastly, do you think I would *insist* on tuning in ET for all of the =
reasons=20
people give? Never, never, never. The beauty of knowing a variety of =
HT's=20
or creating a unique temperament as I have with the EBVT is that you =
really=20
can make such a piano sound ever so much sweeter to the people who own =
it.=20
Time and again in my career, I have done the simple, practical, useful =
and=20
appropriate things to service the small, common piano and have built a =
loyal=20
and contented clientele while others who "only do Steinways" and who =
have=20
proposed "rebuilding" an instrument which is essentially new have been =
labeled as crooks and gone out of business. If there is to be a =
Convention=20
program about how to handle a piano like this, it should be about how =
to do=20
the basic and practical things easily and efficiently, not on applying =
the=20
techniques used on fine, expensive instruments where they will do =
little or=20
no good.=20
** Again, go beyond the normal to see what happens. I'm not even =
seriously pushing for a class in maxing-out a Kimball console. It just =
sounded like an idea with some potential benefits, so I said so.
Bill Bremmer RPT=20
Madison, Wisconsin=20
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