You know, I've been tuning for years, and after I do a fine tuning pitch raise or no) when I go back and listen to each note before I leave the piano, invariably if one sounds a little off I always check the string whose pin is closest to the pressure bar-agraffe first. Usually that's the one causing the trouble, and it usually because it's creeped sharp. I used to think that that was because I was trying to "set" the pin, when I should have been "settling" the pin, but even after I've learned that lesson, it still occurs. I don't worry about it, I'm just aware that it happens, and I try to catch it when it does. I even go so far as to make sure I'm not leaving any upward spring in the pin as I am settling it. Just my .02 -----Original Message----- From: Farrell <mfarrel2@tampabay.rr.com> To: pianotech@ptg.org <pianotech@ptg.org> Date: Friday, October 20, 2000 5:04 AM Subject: Re: tuning question >I know what the problem is! You are tuning too fast. You pitch raised >(major, HA! - that was a world record!) a piano 600 cents and fine tuned it >in just under two hours? You gotta be bionic. Are you for rent? > >On a more serious note, is there a typo here? If not, please shed some light >on your technique. (I am being serious here.) I am still in the >under-1,000-piano-tuning-experience catagory and am always trying to >increase my speed. Do you have a special technique, or just LOTS of >practice? > >Even more to the point, yes, I have noticed the one string sharp thing also. >I use the Accu-Tuner and tune my unisons as I go. Therefore (on an upright) >I tune the center string, the right string (bottom pin) and finally the left >string (top pin). When I am done tuning and I go back just to double check >my unisons carefully, the norm is to find a few (well, maybe a bunch) of >right strings (bottom pin) just a tad (as opposed to a tish - but that just >may be my inexperience) sharper than the other two. I figured I was the only >one able to do that - so my assumption has always been that I was bumbling. >Thanks, I feel better now. I'm going to practice to get from a tad to only a >tish sharp though! > >Very interesting question. Being that I am very consistent with this, I have >indeed wondered whether the cause went beyond my special talents. In my case >the sharp string is not the last one tuned as Dale spoke of. Anyone with an >answer? How about something funny from Ron - this might be good material? > >Terry Farrell >Piano Tuning & Service >Tampa, Florida >mfarrel2@tampabay.rr.com > >----- Original Message ----- >From: "Jay Mercier" <jaymercier@hotmail.com> >To: <pianotech@ptg.org> >Sent: Thursday, October 19, 2000 8:38 PM >Subject: tuning question > > >> List, >> >> I notice lately that when I perform a major pitch raise (today, it was one >> that was 3 whole steps flat), by the time I'm done with the fine tuning >just >> under 2 hours later the unisons in the mid to upper treble range go out >just >> a tish, and about 90% of the problem is that the bottom pin (upright) is >> always just a tish sharp compared to the other two pins of the unison. >> Almost always I have to go back and lower every bottom pin to match the >> remaining two unisons. Can this be avoided? Any thoughts on this is >> appreciated. >> >> Jay Mercier >> New Associate Member >> Glenwood, MN >> _________________________________________________________________________ >> Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. >> >> Share information about yourself, create your own public profile at >> http://profiles.msn.com. >> > >Dale wrote: > >Jay, >First, congratulations on becoming a new member! Hope to meet you in person >in Reno at the Annual Convention. >I have pondered this problem for some time. My mentor, Jimmy Gold, thought >that it was because that was the last pin he tuned, it did not get settled >as well as the other two. I have tried a variety of muting/tuning schemes >which have led me to believe there may be some validity in his thesis. If >this is not the last string you tune it obviously does not apply. >I do find it harder to set the bottom pin on an upright primarily because it >is more difficult for me to get the short length of string between the >tuning pin and the pressure bar to render. >If you figure this one out, please let me know! >Best, >Dale >Dale Probst, RPT >Member, TEAM20001 >PTG Annual Convention >Reno, NV --July 11-15, 2000 >email: wardprobst@cst.net >(940)691-3682 voice >(940) 691-6843 fax >TEAM2001 website: http://www.equaltemperament.com/PTG/ > > > > > >
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