Oops, no, I never pitch raise tenor bass strings, my expressed concern was regarding tenDer bass strings. Terry Farrell Piano Tuning & Service Tampa, Florida mfarrel2@tampabay.rr.com ----- Original Message ----- From: "Farrell" <mfarrel2@tampabay.rr.com> To: <pianotech@ptg.org> Sent: Saturday, September 09, 2000 8:56 AM Subject: Pitch Raise Sequence > I have wondered repeatedly why I don't start a pitch raise at C88 rather > than A0 (everytime I answer "great idea, try it next time - I never have). I > use a SAT III and rubber/felt mutes for pitch raises. Most pianos that need > a pitch raise are flattest in the top couple octaves. The top couple octaves > is where the risk of string breakage is greatest. Also, when one is raising > pitch, the tension of the remaining strings drop an additional amount before > you even get to them (my experience is that if the hi treble is 50 cents > flat before starting a pitch raise, by the time you get to it after raising > the bass and tenor, the hi treble will be perhaps 80 cents flat) thereby > increasing the risk of string breakage. > > Take the common situation where the bass is say 20 cents flat, tenor 30 > cents flat, treble 40 cents flat, and hi-treble 50 cents flat. Start raising > pitch in the hi-treble and progress toward the bass. Would I not find > advantage in giving the piano a more even pitch raise (rather than raising > pitch 20 to 80 cents (bass to treble), I would be raising pitch perhaps 50 > to 30 cents (treble to bass). Just plain old happier for the piano overall, > and much less chance of strings breaking. > > One of the advantages this may offer is when pitch raising on an old risky > piano. I hate the thought of raising pitch on bass and tenor, just to get to > the treble and find that strings are breaking right and left. If strings are > going to not be able to take A440, you will find out right away if you start > at C88 (of course then you are faced with the occassional problem of tener > bass strings! - although in my experience that is less common). > > So now you ask why do I not try it and report back. I will. But before I do, > does anyone think this idea has any merit? Has anyone else tried it or do > this regularly? > > Terry Farrell > Piano Tuning & Service > Tampa, Florida > mfarrel2@tampabay.rr.com >
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