See comments below: Terry Farrell Piano Tuning & Service Tampa, Florida mfarrel2@tampabay.rr.com ----- Original Message ----- From: "Delwin D Fandrich" <pianobuilders@olynet.com> To: <pianotech@ptg.org> Sent: Wednesday, January 17, 2001 10:30 AM Subject: Re: 3 Questions, was: Piano Warrenty/False Beats > > ----- Original Message ----- > From: "Farrell" <mfarrel2@tampabay.rr.com> > To: <pianotech@ptg.org> > Sent: January 17, 2001 4:50 AM > Subject: 3 Questions, was: Piano Warrenty/False Beats > > > > Hi Jon. I have a couple of questions regarding your post. > > > > "...Delignit pin block.....the bridge looked great, just like I put it > in." > > > > Interesting, especially in light of Del's recent comment about > horizontally > > laminated bridge caps. I would wonder about the potential impact of a glue > > layer being exposed right at the string side of a bridge pin - so that the > > string is laying on hard glue, rather than beech or maple. Could this > cause > > a buzz??? Don't tell me Samick has been at the forefront of piano design > > since the beginning! > ------------------------------------------------------------- > > Hi Terry, > > I have a couple of questions regarding your post. > > Why should there be a glue layer exposed right at the string side of the > bridge pin? I'm assuming you're concern is based on the practice of making > the bridges over-height and then planing them down in the piano after the > plate has been set. There is really no good reason to do this in production. > The easiest -- and best -- way around the problem is to use vertical hitch > pins and fixed-height bridges. The next-best would be to set bearing -- as > it is done in more than a few European pianos -- by the use of a spacer of > some sort that rests on the plate hitch panel between the hitches and the > bridge that can be planed or sanded to height after the plate has been > installed and bolted down. Typically these are made of some hard wood or > some very hard felt. A much more logical method than those common to the > U.S. Yes, Oops. I am not familiar with production techniques. Yes, I was assuming that the bridge would be planed down to the proper height for desired bearing. > > Second, even if there were a glue layer exposed right at the string side of > the bridge pin, why would this cause a buzz? The glued used to laminate > material suitable for bridge caps is typically a resorcinol resin adhesive. > I can't see it buzzing under any circumstances. OK. I was just wondering. I figured they use maple for some reason other than plastic. > > Third, if Samick has been using laminated bridge caps, then, yes, they have > been at the forefront of piano design -- well, at least in this one area > they have. See that! See watcha learn! I figured they went to the dump, picked out some of that Sitka Spruce & Douglas Fir plywood that had been used for concrete molds for building buildings & bridges and made bridge capse out of it. > > Del > >
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