I played a few nice uprights today. I found the Shulze-Pollmann 50" to have a really nice sound. European, but not without some richness that my American ears appreciate. Bright, but not tinny. Has anybody serviced any of these? I'm curious what you think. The back frame (with built-in posts) is made of one piece and is made of laminated layers. I guess it's supposed to be better support. Any ideas on whether this is a good feature? Is it true that a piano coming from Italy will be cheaper than if it came from Germany? I also got to play one of the new M&H uprights! Very powerful sound, and of course rich. However -- and I'm curious what you might make of this -- some parts of the tenor were too "boomy" and even muddy. The notes kind of resounded too much. I wonder if this had to do with the accoustics of the room, which was pretty small, or whether it was a voicing problem. This problem got better when I closed the lid. Any ideas? Has anybody experienced the new M&H upright? There aren't that many out there. Here's my opinion on the Essex: I arrived at Steinway Hall at 4:45, and they close at 5. They demonstrated their typical friendliness and wouldn't let me in the front door, even though I asked if I could just look for a few minutes. That's my opinion of the Essex. Fortunately, that gave me some time to check out the Petrof upright (their tallest, 50" or 52"), which I had played more at another time. Their bass is stronger than the Shulze-Pollmann. But the Petrof doesn't have as rich a sound (more fundamental vs. harmonics), making it impossible to play jazz on, but classical sounds great on it. In fact, I have a hard time playing jazz on any non-American piano (I like the warm, rich, American sound for jazz-- lots of harmonics and not digital and Yamaha-sounding). The Shulze-Pollman did OK with jazz, though. I have heard that the Petrofs can be a bit inconsistant and that they take lots of preparation, which some dealers dont' do so well. Any personal experiences to share? If you want to share opinions or offer advice, on- or off-list, I'd love to hear from you. I've been "shopping" for an nice upright for a few years now. So far, nothing has really grabbed my attention. But aside from the perpetual "shopping", the more I learn about pianos, the more fun it is to try different ones and to think about them. That's really why I'm discussing it here. Charles Neuman Plainview, NY
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