Hi everyone I got to thinking with the recent questions about multi-display EDTs. I went to a Baldwin upright that was close by and with pianalizer in RCT, wrote down the the first 5 partials starting at A3 and progressing up to G4. To use the graph, you've got to play dot-to-dot with me. Print it out, connect all the 1's in order, next the 2's and so on. Granted, the tuning is not really smooth, but what I think is interesting is how NON-parallel the lines are. From note-to-note the inharmonicity changes. Granted, I didn't make a REIU, (repeatable energy impact utensil), nor did I have a flat mic set up on my laptop, but check it out! The scale runs from -9 cents to 9 cents. The numbers are the location for each of the 5 partials for the listed note (F# and G, 3rd, 4th partials are off the scale.) G | | 5 1 2 F# | | 5 12 F | | 5 21 3 E | 5| 2 1 3 4 D# | 5 | 12 3 4 D | 5 |1 2 3 4 C# | 5 |1 2 34 C | 5 2 | 1 3 4 B | 5 2 | 1 3 4 A# | 5 2 1 | 3 4 A3 | 5 1 2 |3 4 ------------------------------------------------------- -9 8 7 6 5 4 3 2 1 0 1 2 3 4 5 6 7 8 9 I think that by looking at this information, it is possible to make a smooth curve with one partial, and run into problems with the other partials. It would be nice to know, like on D above, that the 3rd and 4th partials are going in different directions. Yeah, our ears can probably alert us to these problem notes just as quick, but I'm graphman, so I couldn't resist. I also got to wondering about different FAC numbers due to different humidity. Since the school is at 24% now, I think I'll try and take repeatable pianalyzer readings of a few notes as the humidity rises over the next few months. What will change? Tune in during the summer, I'll post the results then. enjoy your weekend Ron Koval Chicagoland _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com
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