In message <B6C827DE.36B7%thepianoarts@home.com>, thepianoarts
<thepianoarts@home.com> writes
>
>
> Just kidding you overly sensitive 'A' fork users!
>
> Any "C" fork users care to exchange temperment checks and patterns etc? I
> have been trying to evolve the 'Up three thirds, down a fifth, up two
>thirds" etc. temperment taught from the Aubrey Willis course 25 years ago.
>Anyone on the list using this pattern? BTW, after 25 years with the fork, I
>moved to the Sanderson Accu-fork. It has some advantages. Their beat-rater
>is also a nice tool for checking contigious thirds.
>
>Dan Reed
> Dallas chapter
>
I use
C up to E
C down to G check G with E
G up to D
Tune A to D and check with E (and with a fork if you wish)
Tune B to E and check B with G
Tune F# to B and check F# with D and G
Tune C# to F# check C# with A
Tune G# to C# and check G# with C
Tune D# to G# check D# with B
Tune A# to D# and check A# with D
Tune F to A# and check F with C and C# and with G#
I then tune F# below as my first octave, I have been using this scale
since 1976 why change if it works for you.
I have a Sanderson Accu-fork but I only use it for 100 cent pitches or
if I am tuning to "B" I prefer the sound and taste of Johnny Walker.
Barrie,
--
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