Agreed. Tony Caught ICPTG Australia caute@optusnet.com.au ----- Original Message ----- From: David Ilvedson <ilvey@jps.net> To: pianotech <pianotech@ptg.org> Sent: Tuesday, March 06, 2001 7:21 AM Subject: Re: 'C' fork users only (inferior 'A' fork users need not apply) > Pat, > > When I was learning to tune, my teacher, Bob Erlandson of WIT, used a > C523.7 fork and that was the way I tuned. Years later I decided since > pitch is always taken from A440 or the A4 key I should endeavor to tune > from that frequency. That is the only reason I changed. If you can tune > aurally with a C fork, the A fork won't be much different. You will have > to change your pattern...Tom Cole mentioned a class with Bill Garlick, > which I also took, where each victim, er...student, came up and tuned one > note only. The next tuner used the notes already tuned before him to make > his decision on the note he decided to tune. The patterns were not your > typical variety and it didn't matter! If you know your aural checks there > is no problem other than the change of habit. There are many temperments > out their to try but if you decide to go to an A fork I suggest you go all > out and use the two octave, contiguous 3rds temperment. This will set the > beats of your 3rds to the piano you are tuning. > > I don't use a fork anymore (I do carry one...it helps the customer to hear > how far off there piano is...I can then demonstrate the ETD and give them a > visual of the pitch difference if any). I rely on my SAT III to get me > very close and then use mainly single octave/double octaves and even > progression of fast beating intervals as my aural checks. IMHO the tuning > fork as a reference is nearly archaic but not the ear...FLAMESUIT ON... > > David I. >
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