In a message dated 3/7/01 12:44:12 PM Central Standard Time, tunenbww@clear.lakes.com (Paul) writes: << John I've never had trouble getting A to be 440, either. Every time I check my tuning from a C fork, the A is right on. Paul Chick >> Bill Garlick covered this in his class too. A4 at 440 cycles per second is what is known as "Standard Pitch". C5 at 523.3 is not "Standard Pitch" it is merely the result of multiplying 440 by the twelfth root of 2 three times. It is the *equivilant* of Standard Pitch but only theoretically. Therefore, these days, it is usually recommended to use an A-440 pitch source when tuning, even if tuning a temperament other than Equal. Technically, one should expect that if a C fork is used when tuning Equal Temperament (ET), the A4 would be expected to be off by a very small amount because of Inharmonicity. As a practical matter, however, (and this is what is important), that small amount is generally so small that it cannot be detected aurally. This means that it would be an amount of less than one cent which is indeed not significant. This is definitely not true for Historical Temperaments, however. If a C fork is used when tuning most any popular HT, the A4 will fall flat by as much as 2 cycles per second (8 cents). Many HT enthusiasts cannot reconcile tuning from an A fork. C is supposed to be the starting note, and that's that. They seem to believe that if you start on A, you are necessarily making A be the tonal center but it simply is not true. Actually, using A as the pitch reference when tuning an HT causes all notes to be nearly the closest they can be to the theoretical equivalent of Standard Pitch. That is why I use A-440 as a reference *and* the starting note of my temperament, regardless of which temperament I am tuning, even such an ancient and classic temperament as 1/4 Syntonic Meantone Temperament. So, ET tuners, never fear, C or A does not make any significant difference. Use whichever one you are most used to and comfortable with. Bill Bremmer RPT Madison, Wisconsin
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