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Jon,
I would agree with your assessment of Organ types!
Regards,=20
Joe Garrett
----- Original Message -----=20
From: Jon Page=20
To: pianotech@ptg.org=20
Sent: Sunday, May 13, 2001 6:08 PM
Subject: Re: Sharp organ
My problem was that the organ is tuned somewhere around 430.
They want to play the organ with the piano for a performance.
Themn they want to use the piano in accompaniment with hand bells at =
440.
Then back with the organ, then back with the hand bells. I gave up =
that gig.
Then organ people tell them that they would have to make considerable =
alterations
in pipe lengths to alter "voicing". I came in a few days after one of =
their 'tuning' and
was appalled, no amount of temperature or humidity fluctuation could =
account for
those dreadful intervals. I pointed it out to their organist, but =
what do I know, I'm just a piano tuner.
I was present in another church when the tuning was being done. One =
guy on the console,
the other guy with a Conn pitch generator in the pipe chamber. No =
brain, no pain; I guess.
I mentioned about an SAT, RCT (all there was at the time) and received =
a blank stare.=20
Hearing protection would be my first priority in this situation.
I attempted to help an another organist by 'touching-up' the mix =
(little did I know what that was).
After finding it and tending to those little whistles I would never do =
it again without hearing protection.
I though piano tuners were nuts, these guys are really out there...
Regards,
Jon Page
At 05:13 PM 05/13/2001 -0500, you wrote:
Hi Joe,
I did not intend to pick, as I know it's a perenial =
problem
with churches. Communication is key, with the music people, pipe =
organ
tech, and piano tech. Education has to go along with it. other =
wise you
end up with the he said, she said game. A lose, lose, scenerio. I =
have been
in the middle of those kinds of things, and also part of the =
problem. A
little older and some what wiser. I insist on having the 3 parties =
meet.
So solutions can be found. Many of the pipe organ techs will also =
lay down
a different bearing (temperament) than our standard ET. Flue Work =
for
instance has a very strong fundamental and less harmonic development =
than
the principal chorus. And both are quite different than piano =
strings, in
any given register.
Team work is the answer if it can be fostered. Bare in mind, that =
much of
the beauty of a pipe organ, is it's space, and out of tuneness. Add =
reverb
time into the mix, and the game gets thicker. The big 16ft pipes are
usually a long way away from the piano.
For me, get rid of the pianos in churches, and let us make a Joyful =
noise
unto the Lord. With a real pipe organ. <G>
Just some thoughts on the subject.
Regards roger
At 02:24 PM 5/13/01 -0700, you wrote:
>Roger,
>Since you bi-directed this posting at me, I'll respond.
>I was not "after" the Organ Tech!, but his lack of analysis of this
>particular church situation. If he had ascertained the ambient =
temp/hum that
>the church is "normally" at and achieved that before the final =
tuning of the
>organ, I think that the organ would have been a little closer to =
A=3D440. Part
>of the equation hasn't been discussed. Where Jeannie is, is right =
on the
>ocean. I suspect that while the organ tech was installing, etc. =
the hall
>was kept at a comfortable level for his benefit. Once he finished, =
the
>church went back to it's normal habit of not heating or cooling. =
IMHO the
>organ tech should have a long conversation with the powers that be, =
at the
>church, and emphasize the importance of constant temp/Humid =
conditions.
>There lies the problem. My original comment was too short.(for that =
I
>apologize) The best thing is IMHO to get the organ tech to retune =
the whole
>enchilada while the church is in it's normal temp/humid mode. Then, =
at least
>Jeannie won't have to tune the piano 12-15cents sharp and possibly =
more. If
>the organ "floats" a little sharp and a little flat, with the =
average at
>A=3D440, then it would be acceptable.
>Regards,
>Joe Garrett
>----- Original Message -----
>From: "jolly roger" <baldyam@sk.sympatico.ca>
>To: <pianotech@ptg.org>
>Sent: Sunday, May 13, 2001 11:00 AM
>Subject: Re: Sharp organ
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